Monday, August 25, 2008

Beware the No-Name Street Vendor

Although it seems like a lifetime ago, I was a vegetarian for just about ten years. Upon our graduation from college, my then-girlfriend (now-wife) introduced the idea to me, and I eagerly accepted her challenge. Our reasons for engaging in this culturally-fringy behavior were fairly different, but complimented each other's perfectly: she had just earned her degree in Anthropology from the University of Illinois, having studied capuchins in the Costa Rican rainforest, and decided that she could no longer in good conscience eat animals without sadness; and I wanted to continue to have sex with her.

In general, I became what my friend Tony once described as "one of those vegetarians who eats just chips." My basic plan of attack was to replace all meat with cheese and, since I had already eaten a fair amount of cheese before I gave up meat, I was now eating double the cheese and, quite regularly, processed cheese food. I was caught off guard when I, unexpectedly, grew to be quite large and constipated. What kind of shit is this? I wondered.

After a fraudulent health scare, I stopped eating cheese, and also things like bread and any food that derived its calories from anything other than fiber. I was quite skinny, and the mass amounts of fiber I was consuming rendered me quite unpleasant to be around. I became quite vigilant about my lifestyle and beliefs, and became a humorless jerk of sorts. I refused to share my backyard bbq-bound cooler with a good friend of mine who seemingly constantly picked me up and drove me around everywhere and was like my brother because I didn't want his "nasty-ass burgers dripping shit all over my shit." He gave me a ride anyway.

I also lectured another good friend, newly back in town after living in Washington, D.C. for several years, upon inviting me to the movies one Friday night, that I had "changed," and didn't go to movies any more on Friday nights—perhaps, I would on a weeknight—but on Fridays I was "more into having experiences with real, actual people." This mostly involved going to the local hole-in-the-wall and getting hammered on Old Style, smoking an entire pack of Kamel Red Light cigarettes while talking to the same four or five people I saw every day about some very particular element of rock music (Iggy Pop's role in Bowie's Berlin trilogy; "Fade to Black" foreshadowing Metallica's tendency toward late-career embarrassment, etc.), getting a vegetarian burrito with no cheese and passing out.

Reveling in my newfound skinniness, I would, from time to time, yell "fuck you, you fucking fat fucking son of a bitch!" to those passersby who would dare run afoul of my new brand of living my best life. Once, this occurred because I had stopped my bicycle in the middle of the street, with my tippy-toes dangling, in order to lean over my handlebars, which were smashing my breastbone, in an attempt to pick up a found quarter, prompting an perfectly average-sized driver to brake quite unexpectedly and honk his horn. "Fuck you, you fucking fat fucking son of a bitch!" I wasn't even able to get the quarter.

The height of my devotion to this new and exciting form of living came when we had to break it to my fiancé's parents that the food served at our upcoming wedding reception (which not only were they paying for, but also hosting in their backyard) would necessarily have to be all vegetarian, which, despite our having been vegetarians at this point for about five years, still couldn't have shocked them any more than if we would have divulged to them that we were planning a Scientology-themed wedding, after which we were joining the circus. I proudly took one for the teammy wide-eyed soon-to-be wife staring silently and nervously in the opposite directiondeclaring that, being vegetarian ourselves, we couldn't put on an event that would make us responsible for the slaughter of untold numbers of animals, no matter how picky the guests were or how delicious the food would be. "We just don't think people should eat animals," I shrugged, looking square at the couple who would become my in-laws, my fiancé still timidly crooking her neck to the side to avoid the sheer horror of it all. "You know," my future father-in-law said as he stood up to tend to some burgers he had on the grill, "they'd eat you if they could."

After we got pregnant (her with our child, me with fear), the tenets of our vegetarianism began to melt right off the bone. She began to crave things like hamburgers and concluded that, for the sake of the baby and its development, eating meat was their best and healthiest option. Which was great, because I had already decided the previous Christmas Eve at her Aunt and Uncle's house that when I had been drinking and nobody was looking I would jam as much turkey in my mouth as was possible without choking.

This led to my invention of what I called "Event Meats," as in "I'm vegetarian, but I'll eat what I call Event Meats," a totally pathetic attempt to hold onto a fading vegetarian ethic that was nearly as misguided as that of the strip-mall dwelling "vegetarian" who eats fish and chicken, which is like professing to be a member of Jews for Jesus. Example: Thanksgiving turkey? Event meat (and when placed on a disposable napkin in a misguided attempt at portion control becomes what I like to call the "turkey nap"). Corned Beef on St. Patrick's Day? Event Meat. Ham on Christmas? Event Meat. Fried chicken on my birthday? Possibly Event Meat. Ribs at the Super Bowl? Maybe Event Meat. Chicken fried rice on Saturday? Just meat.

And that was it. I am no longer super skinny and, though I'm over the feeling that I need to eat ten chicken legs in one sitting because it may be the last time I am ever to eat chicken, I still try to take my meat selections seriously. I never throw away or send back any meat, lest an animal gave its life in vain. And if I'm going to eat it, and deal with the residual guilt I harbor for turning my back on my former vegetarianism, then it had better at least approach delicious.

So, last Friday evening, when my wife introduced the idea of taking our two-year old to the Bucktown Arts Festival the following Sunday, I gave it my most enthusiastic endorsement. Oh sure, some of the art would be fine, but any time there's a street festival, there are street vendors selling culinary abominations you wouldn't normally dare to eat, but what are you going to do? Street vendors don't sell Brie and walnut salads, so I guess I'll have to settle for the deep fried taco-on-a-stick and a turkey leg mutated by gigantism.

When we arrived at the festival on Sunday, I had visions of hot dogs dancing in my head. Since I've been back aboard the midnight meat train, I have not yet indulged in a Chicago-Style hot dog—not even at the Home Depot (though I was fully-prepared to on one occasion, the stand was, thankfully, closed). I think about them about two to three times a week, their particularly nasty health-assaultive qualities beating out their possible deliciousness in most every scenario. In fact, a running joke in our house used to be my asking if where we're going has hot dogs. "You want to go to the Gap Outlet?" my wife would ask."Sure," I would reply. "You think they'll have hot dogs there?" This joke is no longer in rotation, not because my interest in hot dogs has dwindled, but because, apparently, it's not very funny, especially after hearing it 1,000 times.

When it was time to eat, we—one crabby kid and two increasingly crabby adults—headed to the modest row of street vendors in search of fulfillment. The first tent we stumbled upon, apparently run by the nuevo punk rock health enthusiasts who run Bite, was precisely the type of vegetarian-friendly refuge we used to wish they had, but never did, at street fairs, selling the intriguing "BBQ seitan taco" alongside minimally aorta-punishing meat selections, like the delightful-sounding chicken sausage. My wife, generally a fan of all things natural, organic and good for you, immediately decided that we were going to eat there, and that I should get the seitan taco, correctly lamenting that it was just the sort of thing I used to go monkey bananas for. I urged her to wait until we had viewed all the food tents, citing the expense of the chicken sausage—that she and my son were to share for a perfectly reasonable $6—but really wanting to find, if not a hot dog, then its culinary equivalent. She gamely agreed, and we made our way to the end, passing corn dogs and funnel cakes, and fried rice and pizza, mouths watering nary a drop. She hurried back to the healthy tent with our starving child, and I suddenly found myself staring down the gyros tent.

I'm not, like cuckoo for pita puffs or anything, but I will enjoy a gyro (which—though most people who mispronounce the word gyros do so as \jī·rōz\—for some reason my father mispronounces as \gear·ohs\) about once a year, if my constitution leans towards the particularly lamb-deficient.

As there were no posted prices for the two delicacies offered for purchase—gyros and chicken pitas (by this logic, wouldn't they be chicken pitas and lamb pitas?)—I asked how much a gyro might set one back. "Eight bucks," snarled the chef/cashier, looking and sounding not unlike the grizzled, tobacco-washed ghost of Lucille Ball from The Simpsons, her puckered lips appearing downright negligent for not dangling a Basic 100 to within an inch of its life. After adding a 20oz. Diet Pepsi to my order (bringing the grand total to $11), I was, much to my shame and embarrassment, left with a mere 55 cents to banish to the mandatory, yet empty, tip jar. "Finally," she said, responding to the mini-thunderous clanks of the three coins before clearing out a laugh whose closest aural resemblance would be to that of a stubborn attempt to start a flooded engine. I smiled and hurriedly shuffled away with a vaguely warm heft of inherent possibilities neatly wrapped in foil in hand, my shoulders hunched and my eyes averted, before the true value of my paltry contribution could be discovered.

I found and sat with the rest of my party, where I administered an unwrapping of and an open-lipped teething to my newly-acquired lambwich. Hmm ... Didn't realize it came equipped with the grilled green peppers and onionsa slimy, nearly tasteless concoction until two hours after you've eaten it and for the entirety of the four hours after that, when its acidic mist returns to burn your trachea when propelled from urgent, unannounced depth charges originating somewhere in the lower torso region. The pita began to flake apart as if it hadn't been properly heated or, perhaps, had been dormant in its plastic storage bag for a month or so, slowly ridding itself of any semblance of moisture in anticipation of my seizure of it. The lamb meat was thin and tough, its taste and texture falling somewhere between a ham-flavored fruit roll-up and the tongue of a canvas shoe. There weren't enough tomatoes, and there was only a mild essence of tzatziki sauce—what any gyro will tell you is its finest quality—as if it had been sprayed daintily from a perfume bottle. If I were being generous, I would rate it a 2 ½ out of 10.

And then it dawned on me as I scanned my short-term memory ... This isn't a real gyro, because that wasn't a real gyros place at all. It had no name. No affiliation. Just signs featuring photographs of gyros and chicken pitas, perhaps taken by the same poor lady who prepares them. And they weren't even the good signs. You know, the ones featuring a curly-coiffed, classy in an '88 Judith Light kind of way, woman of a certain age (let's say 37) enjoying a gyros sandwich, proclaiming something like "Mmm ... Gyros!" And there were certainly no traces of the magnificent handmade gyros paintings that adorn many a ragtag Chicago gyros operation.

I had been blinded to the fact that this particular brand of gyro was of the no-name variety by the potential of the moderate satisfaction gyros have been known to produce, and was now left to suffer its punishing after-effects for the next 4 to 8 hours. Reportedly, the first gyro in the United States was introduced in 1968 in Chicago, and I swear, that may have just been the one I got.

After returning home and laying my son down for his daily nap, with the threat of battery acid tickling the end of my throat and filling my tired eyes with unwanted water, I picked up the ever-thinning Sunday Chicago Tribune and ran into an article entitled 10 things you might not know about Meat. Number 7 on this list was that "(t)urkeys have been bred to have such large breasts that they can't have sex and must be artificially inseminated." My former, vegetarian self would have been outraged, but all my dumber, meatier self could wonder was what kind of sick bastard would want to have sex with a turkey, large breasts or not?

Friday, August 22, 2008

For Indy, Whenever I May Find Him

In its most recent issue, Entertainment Weekly declared George Lucas to be an “enemy of fun” in a review of Clone Wars, which is widely being dismissed as a feature-film length commercial for the animated TV series of the same name. Luckily, an unfortunate character flaw rendering me indifferent to animated films, coupled with my sincere disdain for peripheral Star Wars projects (let alone the duress of finding a babysitter and neurotically debating whether ordering tickets online in advance is worth the extra dollar per ticket) has rendered the possibility of my viewing Clone Wars virtually non-existent. But I think that the folks at EW may be onto something.

Lucas has seemed to systematically destroy all of the trust of his long-suffering fans over the course of many years through the extortion of untold small personal fortunes from the believers, who have longingly spent one dollar at a time on the futile hope that something, maybe something, will reconnect them with the manifestation of Longinus’s Sublime they felt upon seeing Star Wars or Raiders of the Lost Ark for the first time. Among Lucas’s many well-documented offenses is the release of the Special Edition of the Star Wars trilogy. Upon its release, it seemed a generous offering, affording the fans and novices alike the eye-widening opportunity to bear witness to the Star Wars trilogy on the silver screen, but upon reflection and, perhaps, a bit of hard-earned cynicism, proved to be an elaborate ploy to revise our memories to include images that weren’t there the first go-round, in order to advertise for the forthcoming, ill-fated Episodes I, II and III. Sorry, but Boba Fett was never in Star Wars Episode IV: A New Hope, even if his dad (his fucking dad!) was a major plot point in the aptly-titled Attack of the Clones.

It’s almost as if Jim Davis were to go back and remove all traces of Jon’s live-in, mustachioed pseudo-homosexual love interest (and, lest we forget, Odie’s owner) Lyman from Garfield at Large and Garfield Gains Weight. Sure, the uninitiated or the casual fan may be oblivious, but if you were there the first time around, you know that it goes a certain way. The United States didn’t win the Vietnam Conflict and Arthur Dimmesdale doesn’t live in the end. You can’t rewrite a history that could be recanted by untold thousands. Lucas tries anyway.

So, then, it should come to no one’s surprise—though it did to mine—that Lucas would go back and tinker with his early masterwork THX1138 a little bit, adding a few expansive CGI shots that make the picture a little less claustrophobic, claustrophobia being the whole point.

For me, though, Lucas’s most heinous offense is his changing the title of Raiders of the Lost Ark to Indiana Jones and the Raiders of the Lost Ark, and inserting it and its sequels, numerically, into a lineage that includes the sleep-inducing television series The Adventures of Young Indiana Jones (re-titled The Young Indiana Jones Chronicles by Lucas for its recent DVD rollout) that somehow managed to be less Indiana Jones-like than either ABC’s Tales of the Gold Monkey or CBS’s Bring ‘em Back Alive, having Young Indy cavorting around with historical figures in lame-duck scenarios. And that’s how Indiana Jones met Howard Hughes ... and that’s how Indiana Jones met Dizzie Gillespie ... and that’s how Indiana Jones met Abbot and Costello, etc.

Now, American Graffiti remains as Lucas’s only unaltered major work.

Raiders of the Lost Ark is my favorite movie ever. Sure, sometimes I wish I could say my favorite film was Godard’s Weekend, or Last Year at Marienbad or something, but it’s not. And I vehemently deny and reject the notion—while understanding its importance in the equation and its applicable weight—that this is so primarily because I was seven years old when I saw it for the first time. That certainly accounts for my near-panic driven desire to buy any and all Indiana Jones merchandise, modest as it is ( and certainly for the nearly untouched box of Indiana Jones emblazoned Apple Jacks in my pantry), but there are plenty of things I loved with as much fervor that I have no problem disavowing, or even denying any knowledge of ever having heard of in order to spare myself unneeded embarrassment. No, Raiders of the Lost Ark is just about perfect, and there are many reasons why; primarily the brilliant script by Lawrence Kasdan and the dust-up direction of Steven Spielberg, less-so the creation of Indiana Jones (nee Indiana Smith) by Lucas.

So it was with an awkward, manufactured optimism that I greeted the news of the fourth installation of what was soon to be the former Indiana Jones trilogy—after all, this making of a quadrology out of a trilogy had just been done somewhat successfully with the former Die Hard trilogy, which, strangely enough, nearly mirrors the steady decline of the Indiana Jones trilogy film for film: the brilliant first film; the exciting yet ridiculous second film; and the hugely disappointing, yet I can’t help but want to like it because it has some brilliant elements but man some of it is so terrible third film. After all, I figured (as I had with Live Free or Die Hard), they have already caused irreparable damage to the series with the third one; what’s there to lose?

Everything seemed to be in place for at least the possibility of the great Dr. Jones of our youth to make a heroic comeback. Pictures released from the set of Indiana Jones 4 showing Harrison Ford in his trademark fedora and yellowed, casually destroyed white button-up shirt inspired man-crush goose bumps. Karen Allen was, finally, back as Marion Ravenwood. Cate Blanchett looked assuredly wicked and cruelly beautiful as the sure-to-be formidable Soviet villain. Rumors, seemingly fuelled by the filmmakers, abounded that the plot had something to do with the Lost Ark of the Covenant. Then they released the name, Indiana Jones and the Kingdom of the Crystal Skull, and everything deflated.

Vanity Fair published a very insightful article documenting how Indiana Jones 4 came to fruition: Lucas had been pitching the impetus of what would become Indiana Jones and the Kingdom of the Crystal Skull to Spielberg and Ford for the better part of 20 years to no avail. It’s this or nothing, Lucas warned. So screenwriters were hired, one after another, in the thankless task of attempting to spin Lucas’s unyeilding refuse into gold. David Koepp, a good writer (he wrote the screenplays for Carlito’s Way and War of the Worlds) was the man who finally won the endorsement of all parties involved with an uneven script that, at times, gets to the core of what made Raiders of the Lost Ark incomparable entertainment and, at other times, resorts to the silliness that ruined the series.

Having now seen Indiana Jones and the Kingdom of the Crystal Skull, I suppose it was okay, and though there is, indeed, a crystal skull, its kingdom is nowhere to be found. There’s a strong (practically ripped) possibility that Indiana Jones and the Kingdom of the Crystal Skull is a terrible offense, and I’m either being generous or cowardly in my assessment that it was okay because I want to like it so badly. Regardless, I will most definitely purchase Indiana Jones and the Kingdom of the Crystal Skull upon its DVD release because, well ... Christ, who knows? But hopefully there will be an absurdly expensive two-disc Special Collector’s Edition that will render the notion of my purchasing the one-disc version seem just preposterous.

The first red flag raised was that goddamned title, Indiana Jones and the Kingdom of the Crystal Skull, which struck me in way not dissimilar to the way The Phantom Menace (itself somehow akin to “silent but deadly” as another euphemism for expelled gas) struck me: I thought it was uniformally stupid. So I have chosen other possible—dare I say better—titles for an Indiana Jones movie, inviting a visualization of the films they could represent:

Indiana Jones and the Last Slice of Pizza

Indiana Jones and the Challah of Salah

Indiana Jones and the Bucket of KFC

Indiana Jones and the Flatulence of Angels

Indiana Jones and the Can of Low-Sodium Tomato Soup

Indiana Jones and the University of Illinois at Chicago

Indiana Jones and the Loincloth of the Lord

Indiana Jones and the Official Sportsdrink of the NFL

Indiana Jones and the Parameters of Decency

Indiana Jones and the Grand Mitsubishi of Elmhurst

Indiana Jones and the Season of Giving

Indiana Jones and the Kingdom of Crystal Gayle

Indiana Jones and the Preponderance of Sexual Ambiguity

Indiana Jones and the Thawing of the Frozen Hamburger

Indiana Jones and the Undercover Fatsuit of American Shame

Indiana Jones and the Curse of the Country Kitchen

Indiana Jones and the Burning Bush of the She-God

Indiana Jones and the Boner to end All Boners

Indiana Jones and the Farts That, Surprisingly, Were More

Indiana Jones and the Gravy Boat of the Future

Indiana Jones and the House of Hunan

Indiana Jones and the Temple of Donuts

Adios, Sapito.

Wednesday, August 20, 2008